Posts Tagged ‘Harvey Mandel’
Hellbound Train – MOJO Magazine
Tibbetts has been an ECM artist [since 1982], pursuing a movable crossroads of modal psychedelia, dreamscape electronics and ceremonial rhythms across the eight albums anthologised in this set. If you are new to Tibbetts, Hellbound Train is an exciting introduction – with an epic journey on the other side of the door.
Read MoreHellbound Train – Downbeat Review
Hellbound Train is a collection that moves seamlessly from atmospheric world music to industrial rock to experimental acoustic jazz and everything in between. Each song flows seamlessly into the next while also referencing a consistent set of textures and themes throughout. The hypertextual nature of this anthology perfectly encapsulates Tibet’s signature sound and methodical artistry.
Read MoreHellboundQuestions
A Dozen Hellbound Questions from The ECM office.
Read MoreThings I Did (Press resources for “Life Of.”)
Things I did while I made this album. A list.
Read MoreLife Of–Bio & Press Page
I like the physicality of playing 12-string. I don’t use a pick. If I’m drifting off to sleep at night and feel my fingertips throbbing I know I had a good day.
Read MoreLive Concert Reviews / NPR Interviews
Audio files from various radio reviews.
Read MoreThe Fall of Us All–Atlantic Monthly
“Tibbetts’s guitar-from-beyond-the-solar-system will take you to realms hitherto glimpsed only by the Hubble space telescope and will offer several plausible explanations of dark matter.”
Read MoreA Man About A Horse–ECM bio pt. 1
There’s a plot, intention and meaning. Do I want anybody to know the specifics of plot, intention, and meaning? Definitely not.
Read MoreA Man About A Horse–ECM bio pt. 2
When someone opened up a guitar case and pulled out a guitar they may as well have been pulling a sword out of a stone.
Read MoreA Man About a Horse
“Tibbetts also loves to rock: He recorded much of the searing guitar on “A Man About A Horse” in a single night, over frenetic Balinese drum samples colored and doubled by percussionists Marc Anderson and Marcus Wise.” -Rolling Stone
Read More