{"id":571,"date":"2018-10-05T00:55:55","date_gmt":"2018-10-05T05:55:55","guid":{"rendered":"https:\/\/stevetibbetts.com\/?page_id=571"},"modified":"2018-10-14T13:44:43","modified_gmt":"2018-10-14T18:44:43","slug":"brief-reviews","status":"publish","type":"page","link":"https:\/\/stevetibbetts.com\/brief-reviews\/","title":{"rendered":"Brief Reviews"},"content":{"rendered":"
Click on the CD graphic for more extensive reviews and mp3 samples.<\/p>\n
\t\t\t\t \t\t\t\t \u201c\u2026this is the sound of music contemplating itself.\u201d Jazz Times<\/a><\/em><\/p>\n \t\t\t\t \u201c\u2026a heartbreakingly stunning record\u2026 If two worlds have ever met without clich\u00e9, Selwa is the language they will speak.\u201dEthnoTechno.com<\/a><\/em><\/p>\n \t\t\t\t \u201cPure audio ecstasy.\u201d Audiophile<\/em> January 2003 Disc of the Month<\/p>\n \u201cBrilliant, individual musicmaking.\u201d BBC<\/em><\/p>\n \t\t\t\t It is rare that one finds a recording like no other: music with such a unique texture and sensibility that it offers a new landscape for the mind. This is music deeply rooted in a place, even if that place is ephemeral. Remarkable. All Music Guide<\/em><\/p>\n Like fishermen slowly freezing to death. Straits Times<\/em>, Singapore 6\/99<\/p>\n Like fiddler Vassar Clements playing an Indian raga after his dog has died. Amazon.com<\/a><\/em><\/p>\n \t\t\t\t At times, hearing the group chant together is like being present at the creation of something fragile and miraculous. The Philadelphia Inquirer<\/em><\/p>\n If any one album deserves to be seen as the world music discovery of the year, it is this haunting collection of tranquil, meditative chants from the Buddhist monasteries of Tibet.\u00a0Essex Newspapers<\/em><\/p>\n \t\t\t\t (4 1\/2 stars) …his best and wildest work … the clearest, most concentrated version of his ideas to date. Downbeat<\/em><\/p>\n (4 stars) Rolling Stone<\/em><\/p>\n (4 stars) …his solos fracture every guitar cliche. The Philadelphia Inquirer<\/em><\/p>\n Veering from ambient dreamscapes to violent, post-industrial rave-ups, from spellbinding acoustic webwork to apocalyptic electric fretburn, this album is an emotional and sonic tour-de-force. It’s hard to imagine a more cliche-free player. Brilliant, brilliant, brilliant. Guitar Player<\/em><\/p>\n \t\t\t\t (4 1\/2 stars) This is dream music. -Downbeat<\/em><\/p>\n \t\t\t\t (Five stars) Steve Tibbetts seems intent on producing music that doesn’t have a name. Downbeat<\/em><\/p>\n … his broken-glass approach to electric is utterly incendiary. Musician<\/em><\/p>\n \t\t\t\t … a kind of ambient Electric Ladyland–it liquefies the expressionist pastels of post-Eno art rock with crystalline Oregon-like folk impressions and startling streaks of heavy acid wail. Musician<\/em><\/p>\n Record of the Month April 1984\u00a0 Stereoplay <\/em>(Germany)<\/p>\n \t\t\t\t Those who can allow themselves to be transported in the few moments a struck chord endures against the power of silence should find it captivating. Stereo Review<\/em><\/p>\n
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\n\t\t\t\t\t\t<\/a><\/p>\nLife Of<\/h3>\n
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\n\t\t\t\t\t\t<\/a><\/p>\nNatural Causes<\/h3>\n
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\n\t\t\t\t\t\t<\/a><\/p>\nSelwa<\/h3>\n
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\n\t\t\t\t\t\t<\/a><\/p>\nA Man About A Horse<\/h3>\n
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\n\t\t\t\t\t\t<\/a><\/p>\n\u00c5<\/h3>\n
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\n\t\t\t\t\t\t<\/a><\/p>\nCh\u00f6<\/h3>\n
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\n\t\t\t\t\t\t<\/a><\/p>\nThe Fall of Us All<\/h3>\n
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\n\t\t\t\t\t\t<\/a><\/p>\nBig Map<\/h3>\n
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\n\t\t\t\t\t\t<\/a><\/p>\nExploded View<\/h3>\n
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\n\t\t\t\t\t\t<\/a><\/p>\nSafe Journey<\/h3>\n
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\n\t\t\t\t\t\t<\/a><\/p>\nNorthern Song<\/h3>\n