Tom Laskin’s<\/a> review of the album, February 14, 1997, Isthmus)<\/p>\r\nBack in the States, he added guitar, bouzouki, percussion, and a variety of other instruments to their songs, taking care not to obscure the religious, at times celebratory, quality of the music. \u00a0The global fusion disc that resulted from his efforts is mesmerizing, but not in a chill-out kind of way. \u00a0Even Choying Dolma’s quietest solo pieces radiate a calm self-confidence, and Tibbetts deflects any notion that this is a New Age album by placing several of the nuns’ quavering chants in stately musical settings.<\/p>\r\n","protected":false},"excerpt":{"rendered":"
“There was no encore, and, frankly, none was needed.\u00a0 The window onto bliss that Tibbetts, Anderson and the nuns offered was treat enough.”<\/p>\n","protected":false},"author":2,"featured_media":4244,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[92,81],"tags":[11,12,97,17,22,102,42,44,46,51,60,62,64,65,72],"acf":[],"yoast_head":"\n
Ch\u00f6--Isthmus Review, 11\/20\/98 · Steve Tibbetts<\/title>\n\n\n\n\n\n\n\n\n\n\n\n\t\n\t\n\t\n\n\n\n\t\n\t\n\t\n