{"id":2018,"date":"2002-09-19T17:27:35","date_gmt":"2002-09-19T22:27:35","guid":{"rendered":"https:\/\/stevetibbetts.com\/?page_id=2018"},"modified":"2023-03-25T13:04:05","modified_gmt":"2023-03-25T18:04:05","slug":"downbeat-review-a-man","status":"publish","type":"post","link":"https:\/\/stevetibbetts.com\/downbeat-review-a-man\/","title":{"rendered":"A Man About A Horse–Downbeat Review"},"content":{"rendered":"\n\n\t
Tibbetts’ travels to Asia season his percussion with influences from Bali and Java. Increasingly, the guitarist joins in the drumming alonside his long-time percussionists, Marc Anderson<\/a> and Marcus Wise<\/a>. \u00a0A library of percussive and natural sounds sampled around the world ad intricacy and texture to the mix. \u00a0The perfectionists lavishes attention on even the minutest sonic details. \u00a0While Tibbetts’ guitars have long been the focal point of his CDs, A Man About A Horse<\/em> achieves a new balance between drums and strings.<\/p>\n The blend of contemplation and catharsis is pretty much what you want and expect from Tibbetts. He calls it “post-modern neo-primitivism” with tongue presumably in cheek.<\/p>\n -Jon Andrews<\/p>\n\n","protected":false},"excerpt":{"rendered":" “A Man About A Horse embodies Tibbetts’ established strengths – feral electric guitar solos, complex percussion and meticulously detailed production.”<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[81],"tags":[12,15,19,22,23,91,30,33,40,41,45,46,47,60,62,72],"acf":[],"yoast_head":"\n