{"id":2130,"date":"1999-09-30T13:39:12","date_gmt":"1999-09-30T18:39:12","guid":{"rendered":"https:\/\/stevetibbetts.com\/?page_id=2130"},"modified":"2022-06-11T22:34:53","modified_gmt":"2022-06-12T03:34:53","slug":"lotus-festival-review","status":"publish","type":"post","link":"https:\/\/stevetibbetts.com\/lotus-festival-review\/","title":{"rendered":"Lotus Festival review"},"content":{"rendered":"\n\n\t
First choice on Friday night was Choying Drolma and Steve Tibbetts.\u00a0 Truly enlightening in many ways, their performance fused ancient sacred Tibetan chant with cosmic embellishment from Tibbetts’ guitar and Marc Anderson’s percussion, gongs, and samples.\u00a0 Visually it was quite a sight too: three Tibetan nuns washed in the soft light of candles, flanked by electric guitar and a percussion array.\u00a0 Deep stirrings I can’t even begin to discuss here were triggered by the sound of Ch\u00f6<\/em>, and from the response I felt from the audience, it wasn’t just happening to me.<\/p>\n This ensemble’s bluster of atmosphere and rhythm was coded with enlightenment. Based on texts devoted to the practice of inner release from attachment to fixation, the collective chants, rhythms, bells, drones, and space-guitar melodies all interlaced profoundly.\u00a0 Choying Drolma glowed radiantly.<\/p>\n