{"id":3609,"date":"2002-02-01T11:22:21","date_gmt":"2002-02-01T17:22:21","guid":{"rendered":"https:\/\/stevetibbetts.com\/?p=3609"},"modified":"2022-06-11T19:10:03","modified_gmt":"2022-06-12T00:10:03","slug":"new-note-magazine","status":"publish","type":"post","link":"https:\/\/stevetibbetts.com\/new-note-magazine\/","title":{"rendered":"A Man About a Horse–New Note Magazine"},"content":{"rendered":"\r\n
<\/a>It’s a curious title, as\u00a0A Man About A Horse<\/em><\/a>\u00a0seems to bear no relation to the album’s contents. The Minnesota-based Tibbetts has taken eight years to follow up\u00a0The Fall Of Us All<\/em><\/a>, composing a new set of pieces by dicing and splicing on his hard disk. Perversely, Steve waited until he was preparing for wrist surgery, after toppling off his ladder when he was attacked by a bee-swarm<\/a> while clearing out his gutters. Fearing the worst, he poured out a night’s worth of guitar mania, recording as if it would be his last chance. With these piled-up string and percussion samples, Tibbetts provides the music’s core, bringing in Marcus Wise and old partner Marc Anderson to expand the skin-slapping content even further. Bassist Jim Anton must feel like the odd outsider out.<\/p>\r\n","protected":false},"excerpt":{"rendered":" “Tibbetts operates a fine balance between sensitive acoustic shivers and heavily petted electric fuzz…”<\/p>\n","protected":false},"author":2,"featured_media":4031,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[81],"tags":[12,22,23,33,60,72],"acf":[],"yoast_head":"\n