Posts Tagged ‘Loud’
Compilation–Acoustibbetts / Elektrobitts / Exotibbetts
This three-CD compilation has over three hours of remastered music culled from 11 records and is meant as an introduction to Tibbett’s far-reaching imagination and to whet the appetite for his back catalog and future endeavors.
Read MoreLife Of–Downbeat
“It might be less than an hour long, but Life Of will provide years of deep and rewarding listening.”
Read MoreThe Fall of Us All–Atlantic Monthly
“Tibbetts’s guitar-from-beyond-the-solar-system will take you to realms hitherto glimpsed only by the Hubble space telescope and will offer several plausible explanations of dark matter.”
Read MoreThe Fall of Us All–ECM Bio
“Most reviews of Steve Tibbetts’s music describe it in the context of what it’s not; what it is, plain and simple, is Tibbettsian.”
Read MoreA Man About A Horse–Downbeat Review
“A Man About A Horse embodies Tibbetts’ established strengths – feral electric guitar solos, complex percussion and meticulously detailed production.”
Read MoreA Man About a Horse–Isthmus
“Tibbetts is one of this city’s great, underappreciated native sons precisely because he deals in a potent magic that’s not easily understood”
Read MoreA Man About a Horse
“Tibbetts also loves to rock: He recorded much of the searing guitar on “A Man About A Horse” in a single night, over frenetic Balinese drum samples colored and doubled by percussionists Marc Anderson and Marcus Wise.” -Rolling Stone
Read MoreExploded View–Car Stereo Review 3/95
“Ever wish you could take a ride on the Space Shuttle? Here’s the alternative: Pick up Steve Tibbetts’ The Fall of Us All instead. It’ll transport you to places in the cosmos you never knew existed.”
Read MoreThe Fall of Us All–Philadelpia Inquirer
“he adds droning guitar textures that shift in slow-motion to create gripping, ever-changing polychords. And atop those come his solos, which fracture every guitar cliche”
Read MoreThe Fall of Us All–CD Review & Baltimore Sun
“the best thing about “The Fall of Us All” is the astonishing fluidity of Tibbetts’ guitar work, which can be as percussive as a tabla pattern or as liquid and lyrical as a Hendrix solo”
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