Posts Tagged ‘ECM’
The Fall of Us All–CD Review & Baltimore Sun
“the best thing about “The Fall of Us All” is the astonishing fluidity of Tibbetts’ guitar work, which can be as percussive as a tabla pattern or as liquid and lyrical as a Hendrix solo”
Read MoreThe Fall of Us All–Pulse Magazine 7/94
“…his music screams with the brain-melt electric guitar overdubs and pounding percussion which dominate the first half of his latest album, The Fall of Us All.”
Read MoreThe Fall of Us All–Downbeat
“The Fall Of Us All ranks with his best and wildest work (alongside Yr and Exploded View), because it smoothly reconciles Tibbetts’ volatile mood swings with his developing interest in the music of Indonesia and Tibet.”
Read MoreThe Fall of Us All–Riverfront Times, St. Louis
“this man’s musical teeth seem to be getting sharper and sharper”
Read MoreThe Fall of Us All–Lawrence Journal World
“if you’ve grown weary of the Viennese confections underscoring large chunks of Stanley Kubrick’s “2001,” tune out the Strauss and plug in the Tibbetts, and ponder the monolith once again”
Read MoreThe Fall of Us All–RollingStone
“a trip of another, more explosive and enriching kind, a dynamic study of Eastern modality and universal spiritualism driven by rock & roll ambition” -Rolling Stone
Read MoreThe Fall of Us All–Guitar Player, 7/94
“Veering from ambient dreamscapes to violent, post-industrial rave-ups, from spellbinding acoustic fretwork to apocalyptic electric fret burn, Tibbetts’ first album in five years is an emotional and sonic tour-de-force.”
Read MoreBig Map–Cartographic Perspectives review
“fingered guitar sings a wanderer’s muse, improvised intricate as gnarled branches of winter oaks”
Read MoreBig Map–Sounds Like…
“In short, the sound here is about as fine as you’re likely to wish for: I rate Big Map Idea at the top o′ the heap, sonically.” -Glenn Hammett
Read MoreYr–Rolling Stone, 6/88
“Yr… a trancelike otherworldly quality that is nevertheless rooted in the rock & roll here and now, thanks to periodic wake-up blasts of frenzied Frippaphonic soloing.”
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